Pilobolus: Rules @ Play

Major support for Pilobolus Artistic Programming provided by the National Endowment for the Arts, which believes that a great nation deserves great art, by The Shubert Foundation, and by CT Humanities.

Touring: IMG Artists · +1.212.994.3500 · imgartists.com
General inquiries: +1.860.868.0538 · info@pilobolus.org
Tour Marketing and Publicity: C Major Marketing, Inc.
 

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Company Biographies

Renée Jaworski (Executive Director, Co-Artistic Director) has had an extensive creative career working with Pilobolus since 2000 and in 2011 was honored to have been chosen by the founding Artistic Directors to lead Pilobolus into and beyond its post-succession evolution. She served as choreographer and creator for exciting projects and collaborations for stage, film, and video, such as the 79th Annual Academy Awards, the Grammy® nominated video for OKGo’s All is Not Lost, Radiolab Live: In the Dark, World Science Festival; Time and the Creative Cosmos and works with myriad outside artists through the International Collaborators Project, as well as overseeing the daily functioning and long term planning for the company’s creative endeavors. As a teacher, she facilitates workshops and group projects in diverse communities with dancers and non-dancers alike. In 2010, her alma mater honored her with the University of the Arts Silver Star Alumni Award for her work as an artist in the field of dance. She has performed and toured the world with Momix and Carolyn Dorfman Dance Company. Jaworski lives in Connecticut with her husband and a menagerie of animals.
 

Matt Kent (Artistic Director) began his career with Pilobolus as a dancer in 1996, helping create many pieces, including classics like Gnomen and Selection, a collaboration with Maurice Sendak. In 2011, Kent was chosen by the founding Artistic Directors to lead Pilobolus in its post-succession evolution. He has directed for the stage and screen choreographing on horses, Chinese acrobats, giant Michael Curry puppets, zombies on The Walking Dead, jugglers, break dancers, actors, LED umbrellas, and dancers. He was nominated for Best Choreography by the L.A. Drama Critics Circle for The Tempest directed by Aaron Posner and Teller. Kent loves exploring and executing the ever-evolving work of Pilobolus as it reaches out to an expanding group of artists, audiences, and populations in ever-unexpected ways.
 

Nathaniel Buchsbaum (Dance Captain) Manipulator of Light and Shadow, Harnesser of Momentum, Shepherd of Saccharomyces, Student of the Ephemeral, Walker of the Prime Material plane. He is known amongst the Planeswalkers as Tragic the Blathering and is rumored to be known in the Northeast as “He’s Alright.” When he isn't wandering the lands, delighting both young and old with his nimble, scantily-clad acts of physical storytelling, he dwells in Connecticut, brewing beer in his garage under the watchful eyes of his feline familiars. Buchsbaum was absorbed into Pilobolus in 2012.
 

Quincy Ellis (Dance Captain) began training as a gymnast and figure skater in Maine before earning an acting degree from Emerson College. He has been performing and teaching for the past ten years with companies such as The MoveShop, DeFunes Dance, and Theatre Raleigh. Outside of traditional theatre, Ellis also dances for a variety of NYC Drag Artists, including Juicy Liu and Miz Cracker. Ellis joined Pilobolus in 2017 and does not dye his hair gray … it grows that way.
 

Marlon Feliz (Dancer) has danced with Pilobolus since 2014, touring Shadowland productions around the world, and now presenting repertory and artistic programming wherever possible. Additional credits include a Broadway debut in the new West Side Story, and other musicals, cruise ships, and NYC-based companies. She received her foundational training in ballet and modern dance at New World School of the Arts and completed her BFA in Dance at NYU’s Tisch School of the Arts. She is originally from Miami, FL.
 

Hannah Klinkman (Dancer) was born and raised in Dexter, MI where she was classically trained at Ballet Chelsea. She studied at Grand Valley State University and completed her training with BalletMet Columbus in 2016. She has since danced and created with Festival Ballet Providence, Dance The Yard, Rhode Island Women’s Choreography Project, and Momix, collaborating on her own choreographic projects when not traveling. Klinkman is a Mindfulness Meditation teacher, Pilates instructor, dance teacher, and houseplant enthusiast. Klinkman joined Pilobolus in 2021. 
 

Paul Liu (Dancer) Liu grew up in New Jersey training in traditional Chinese dance and acrobatics as well as breaking. He has studied with the Nai-Ni Chen Youth Dance Company, the Academy of Dance Arts New Jersey, the Central Academy of Drama in Beijing, and the Boston Conservatory. He has worked with Avary Gerhardt, Fukudance, Hybridmotion Dance Theatre and is a collaborator with Motlee Party. He is almost always upside down doing floorwork except while eating or getting tattoos. Liu joined Pilobolus in 2019.
 

Zachary Weiss (Dancer) grew up in Chapel Hill, NC and began his formal dance training at age eight. He has always been a performer whether it be playing the saxophone, singing, acting, or dancing. Weiss studied contemporary dance at UNC School of the Arts for a year before transferring to Swarthmore College. He graduated in 2020 with a major in Engineering and a minor in Dance. After working as a Data Engineer in DC for a year, Weiss joined Pilobolus in 2021. Outside the studio, Weiss can be found riding/fixing bikes, finding high places to climb, and reading science fiction (but not all at the same time).
 

Robby Barnett (Co-Founder, Choreographer) was born and raised in the Adirondack Mountains and attended Dartmouth College. He joined Pilobolus in 1971.
 

Alison Chase (Co-Founder, Choreographer) is a choreographer, director, master teacher, and theatrical artist. Her work explores emotional terrain through innovative movement, multidimensional storytelling, fusions of film and dance, and site-specific works. During her three decades with Pilobolus, she built an eclectic repertoire of choreography with unorthodox partnering and aerial techniques. Chase founded Alison Chase/Performance in 2009 to pursue her creative vision in bold collaborations. She has commissions from Wolf Trap, La Scala Opera, the Rockettes, and the Fête de l'Humanité, among others.
 

Martha Clarke (Co-Founder, Choreographer) is a founding member of Pilobolus and Crowsnest, noted for her multidisciplinary approach to theater, dance, and opera. She has choreographed for Nederlands Dans Theater, La Scala Ballet, the Martha Graham company, and is a resident artist for Signature Theatre, with works including Garden of Earthly Delights, Chéri, and Angel Reapers. Awards include a MacArthur fellowship, Drama Desk Award, two Obies, the Scripps/ADF Award for Lifetime Achievement, and two Lortels.
 

Moses Pendleton (Co-Founder, Choreographer) has been one of America’s most innovative and widely performed choreographers for almost 50 years. A co-founder of the ground-breaking Pilobolus in 1971, he formed his own company, MOMIX, in 1980, which rapidly established an international reputation for inventive and illusionistic choreography. Pendleton has also worked extensively in film, TV, and opera, and as a choreographer for ballet companies and special events, including two Winter Olympics.
 

Michael Tracy (Co-Founder, Choreographer) was born in Florence and raised in New England. He met the other Pilobolus founders at Dartmouth in 1969, and became an artistic director after graduating magna cum laude in 1973. Tracy toured with Pilobolus for 14 years and choreographed and directed the company until his retirement. He has set his work on the Joffrey, Ohio, Hartford, Nancy, and Verona Ballets, and with Pilobolus choreographed a production of Mozart’s Magic Flute. Tracy taught at Yale University for two decades and lives in northwestern Connecticut.
 

Jonathan Wolken (1949-2010) (Co-Founder, Choreographer) co-founded Pilobolus and remained an Artistic Director until his death, creating 46 Pilobolus works in collaboration with co-artistic directors and guest artists, and as sole choreographer. He also choreographed Glyndebourne Festival Opera’s production of Maurice Sendak’s Where the Wild Things Are, and the Royal Danish Ballet’s Oneiric. Wolken taught many workshops and was dedicated to the furtherance of Pilobolus technique in dance and as a model for creative thinking.
 

Darlene Kascak (Collaborator) Schaghticoke Tribal Nation, is Education Director & Traditional Native American Storyteller of the Institute of American Indian Studies in Washington, CT. Kascak’s experience as an educator, tour guide, museum assistant, and Traditional Native American Storyteller has taught her the importance of educating both young and old about the many misconceptions and stereotypes about her ancestors. Her style of teaching from a Native American’s point of view allows children and adults the opportunity to have a new understanding of Connecticut’s Indigenous Peoples lives both in the past and in the present.
 

Gaspard Louis (Collaborator) Founder/Artistic Director of the Durham, NC based company Gaspard&Dancers (G&D). Louis received a BFA in dance from Montclair State University and studied at Gus Giordano's in Chicago and Nikolais/Louis Dance Lab in New York. Following his studies, he joined the New York based AllNations performing traditional dances from many parts of the world. Later, he joined Pilobolus and traveled worldwide with the company. In 2012, Louis received an MFA from the Hollins University/American Dance Festival Program and became the Director of ADF’s year-round creative movement outreach program. Since forming G&D in 2009, he has created over 25 works, presented around the world, and has been a guest teacher and choreographer at University of North Carolina School of the Arts (UNCSA), Duke, Elon, and North Carolina Central Universities.
 

Michael Wall (Collaborator) has established a reputation as one of the most innovative and impactful voices in the world of music and dance. An in-demand composer, Wall writes approximately 200 new commissions a year for leading international dance organizations, music licensing, and collaborative projects including the Grammy-nominated album Spirit Song by Kenny Barron. Wall also organized, performed, recorded, mixed, and mastered the recording Music for Changing Parts by Phillip Glass with the Salt Lake Electronic Ensemble, which was released on Glass's record label Orange Mountain Music. In dance, Wall has collaborated with Flockworks, Shen Wei, Charles Anderson, The Jose Limon Company, Jesse Zarrit, David Dorfman, Jennifer Nugent, Bebe Miller, and many more. Wall has been distributing music since 1999, and has amassed a library of 53 albums with over 500 tracks of music. He is currently developing online educational resources to teach composing for dance, accompanying dance classes, and teaching music for dance-to-dance educators. This is an industry first and will be available through his website soundformovement.com.
 

Neil Peter Jampolis (1943-2019) (Lighting Designer) designed for Pilobolus since 1975, spanning 40 years and creating more than 60 new works for the company. He also had a fifty-year active career as a set, lighting, and costume designer for Broadway—where he received four Tony Nominations and a Tony Award—and for Off-Broadway, Dance, Regional Theater, and Opera, which he also directed. His designs appeared on every continent. Jampolis was a Distinguished Professor of Theater at UCLA.
 

Brian Tovar (Lighting Designer) is an award-winning and Drama Desk nominated lighting designer who has created original work for major Off-Broadway and regional theaters, everywhere. His body of work spans theater, dance, installations, and live events. As a Creative Director and Producer, Tovar has developed and collaborated on multiple groundbreaking and award-winning live experiences, earning multiple Clio Awards. Tovar is a frequent collaborator with the City of New York and has created and designed multiple art installations in New York City. BrianTovarDesign.com
 

Thom Weaver (Lighting Designer) studied at Carnegie-Mellon and Yale and first worked with Pilobolus on Teller and Aaron Posner’s The Tempest at Chicago Shakespeare Theatre. In NY his work has been seen at NYSF/Public Theatre, Primary Stages, Signature Theatre, Player’s Theatre (Play Dead with Teller), 37ARTS, Cherry Lane, Lincoln Center Festival, Lincoln Center Institute, and SPF. Weaver has worked regionally at CenterStage, Syracuse Stage, Huntington, Milwaukee Rep, Shakespeare Theatre, Asolo, Berkshire Theatre Festival, Williamstown, Folger Theatre, Roundhouse Theatre, Cincinnati Playhouse, Hangar, Spoleto Festival USA, City Theatre, Pittsburgh Public Theatre, and Yale Rep. Weaver has received 3 Barrymore Awards (21 nominations), 4 Helen Hayes nominations, and 2 AUDELCO Awards.
 

Diane Ferry Williams (Lighting Designer) is a freelance lighting designer who has lit well over 300 productions of theatre, dance, dance festivals, and opera in the US, Canada, Europe, and Asia. Awards include a Jeff Award, an After Dark Award, a Carbonelle Award, six Drammy awards, and six Jeff nominations. Ferry Williams has a BA from Ashland University in Ohio with a theatre major and a Master of Fine Arts in Theatrical Design from Northwestern University.
 

Kitty Daly (Costume Designer) created costumes for Pilobolus’s Molly's Not Dead, The Detail of Phoebe Strickland, Bonsai, The Empty Suitor, Moonblind, Lost in Fauna, Mirage, What Grows in Huygen's Window, Stabat Mater, Elegy for the Moment. She has designed for the Ohio Ballet, the Pennsylvania Ballet, the Milwaukee Ballet, Merce Cunningham, Crowsnest, and Parker/Pucci. Daly lives in northern Vermont, creating custom evening gowns and beautiful tracks in the snow.
 

Valerie St. Pierre Smith (Costume Designer) White Earth Ojibwe-kwe, mischief maker, scholar, and author has an eclectic design background including stage, fashion, dance, film, opera, and themed entertainment. Her designs have been seen at The Kennedy Center, Woolly Mammoth Theatre, Mixed Blood Theatre, Sea World: San Diego, the National Museum of the American Indian, and more. St. Pierre Smith’’s scholarly work on cultural appropriation, inspiration, and representation in design has her presenting for a variety of institutions and conferences, including Central Saint-Martins Fashion Programme in London, England, and writing for a variety of publications.
 

Danielle De Vito (Stage Manager) grew up just outside of NYC and was introduced to the production side of the performing arts at her high school’s performing arts curriculum program, PACE. She continued her studies at The American University in Washington DC, majoring in both Film and Dance Production. De Vito has worked summers at the American Dance Festival, and has worked with dance companies such as Parsons Dance, Dorrance Dance, and Passion Fruit Dance Company. De Vito has also worked for The Broadway Education Alliance, putting together kids' ensemble programs at locations such as Carnegie Hall and The Macy’s Day Parade.
 

Yannick Godts (Lighting Supervisor)joined Pilobolus as a Production Intern in 2013 and has since toured with the company to eighteen countries across four continents, in addition to designing multiple works for the company. He received his BA from Vassar College in 2013 and now resides in Washington, DC, where he designs lighting for several theater and dance companies. When not on the road, he draws, hikes, bakes, and enjoys the company of his thirty or forty houseplants.
 

Maxwell Jabara (Deck Manager) hails from southeastern Michigan and went on to study Technical Theatre at Kent State University in Ohio. Just out of college, Jabara worked with Pilobolus as a production intern and recently, he worked as a prop hand for the Blue Man Group. He’s very excited to be back on tour with Pilobolus!

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Northrop Acknowledgements

The Northrop Advisory Board

The Northrop Advisory Board is committed to the growth and awareness of Northrop’s mission, vision, and the continued future of presenting world-class dance and music in our community. If you would like more information about the Advisory Board and its work, please contact Cynthia Betz, Director of Development, at 612-626-7554 or betzx011@umn.edu.

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Thank you for supporting Northrop!

Making Legendary Performances Possible

At Northrop, we believe in connecting great artists and ideas with our community and to a new generation of audiences. Your gift helps make memorable arts experiences possible by supporting extraordinary performances and new arts commissions, and helping ensure accessibility to everyone through online programming, outreach to diverse communities, and subsidized student tickets. Our Friends are at the center of Northrop’s biggest ideas and brightest moments on stage.

Become a Friend of Northrop today! 
Donate online at northrop.umn.edu/support-northrop

Ways to Give:

• Annual Giving, a yearly gift amount of your choice.
• Monthly Giving, choose a recurring gift amount that works for you.
• Stock Gifts, Northrop accepts charitable gifts of stock.
• Planned Giving, consider a legacy gift by including Northrop in your will or trust, or by designating Northrop as a beneficiary of a retirement plan or life insurance policy.
• Matching Gifts, double your gift through your company’s matching gift program.

To learn more about supporting Northrop please contact:
Cynthia Betz
betzx011@umn.edu or 612-626-7554 

Friends of Northrop

A special thank you to our patrons whose generous support makes Northrop's transformative arts experiences possible. Make your mark on Northrop's future by becoming a Friend today, learn more by visiting northrop.umn.edu/support-northrop.

We gratefully acknowledge the support from, Arts Midwest Touring Fund, Minnesota State Arts Board, Marbrook Foundation, National Endowment for the Arts, and New England Foundation for the Arts.

We extend a special thank you to our event sponsors the Graduate Hotel Minneapolis, PNC Bank, and RBC Wealth Management.   

This season’s listing is current as of 4/4/23

Please contact Trisha Taylor at taylort@umn.edu if you have any corrections or questions.

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Northrop's Aeolian-Skinner Organ

Thank you to the generous donors who continue to support programming for Northrop’s beloved Aeolian-Skinner Organ. It is because of you that this magnificent instrument’s voice will be enjoyed by many for years to come.

The Heritage Society Members

The Heritage Society honors and celebrates donors who have made estate and other planned gifts for Northrop at the University of Minnesota. 

• Nancy M Allen*
• Jerry L Artz
• John W Follows*
• Stephen Gordon and Pat Gavan-Gordon
• Peter S Lund
• Darlene M Sholtis

*Deceased

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This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.

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