BRKFST Dance Company: The “Future of Dance” Arrives

May 16, 2024
Four dancers dressed in casual dark clothing and sneakers sit on a dark stage with their legs oustretched forward, feet pointing straight up, and slightly leaning on one hip with their bodies pointed to the left.

Minneapolis-based dance collective BRKFST Dance Company brings their 10-year anniversary performance to the Walker Art Center Jun 8-9, closing out Northrop’s 2023-24 season. The program features two wildly different works: STORMCLUTTER, a world premiere Northrop Centennial Commission, and Dancers, Dreamers, and Presidents, a restaging of a beloved piece. Learn more about BRKFST.

Six members of BRKFST stand together in a row.

BRKFST Dance Company members Renée Copeland, Travis Johnson, Marie Thayer, Lisa Berman, Azaria Evans-Parham, and Joe Tran. Photo © Shane Wynn.

Real Minnesotan Breaking

Before Joseph “MN Joe” Tran became a founding member of BRKFST Dance Company, he worked as a choreographer and dancer for the NBA’s Minnesota Timberwolves’ “First Ave Breakers.” Tran is the recipient of the 2023-2025 Jerome Hill Artist Fellowship and as a former member of world-renowned breaking crew “Knuckleheads Cali,” he has earned multiple first place titles across the globe. Lisa 'MonaLisa' Berman, a founder and co-artistic director of BRKFST, is a McKnight Dancer Fellowship recipient and has been a teaching artist for nearly 20 years. She has worked with acclaimed breakers from Canada to the Netherlands and helped countless students learn to break and reach their potential.

BRKFST dancers hold their partners upside down.

Photo © Shane Wynn.

World Premiere of a Whirlwind

Northrop audiences will be caught up in the best kind of fierce energy when BRKFST takes the stage for the world premiere of STORMCLUTTER—a Northrop Centennial Commission co-commissioned by The Cowles Center. With music composed by company co-founder, and UMN alumnus, Renée Copeland, STORMCLUTTER is an exploration of swirling emotional tensions that build inside us. The dancers embody the inner turmoil of maturation, dissociation, isolation, and the will to accept what can’t be changed.

Black and white 1984 photo of children breakdancing in the street.

Children break dancing in the street, Sep 21, 1984. Photo by: Sean Kardon, Associated Press.

"Each One Teach One"

Breaking, or breakdancing, is a dance form invented in the Bronx and popularized by Black and Latino youth. This highly expressive form represents a cornerstone of hip hop and street culture, and has become so appreciated as an athletic art form that it will be represented in the 2024 Olympic Games in Paris. Dancers earn respect through battles and bold feats of movement, and keep this respect by passing knowledge down. “BRKFST’s egalitarian and choreographic collaboration is rooted in the hip hop adage, ‘Each One Teach One,’ that regardless of race, gender, class, experience, or age—everyone remains both the teacher and the student,” reads the BRKFST bio at Lewis Center for the Arts at Princeton University where they were Caroline Hearst Choreographers-in-Residence for the 2023-2024 academic year.

BRKFST and the Minnesota Orchestra.

Meet the "Omnivore Artist"

The BRKFST dancers will restage Daniel Bernard Roumain (DBR)’s Dancers, Dreams, and Presidents, following the premiere of STORMCLUTTER. A commentary on American lives that are filled with a mix of ambition, passion, blame, justice, hope, love, and dashed dreams, the work makes a powerful statement. The New York Times calls DBR “as omnivorous as a contemporary artist gets” in praise of his skills as a composer, educator, social entrepreneur, and performer. DBR creates art that speaks truth to power. Browse his full catalog of compositions, film scores, books, and more, on his official site.

Dancers pose in contorted poses in a large room with scattered papers all over the floor.

Photo by Bill Cameron

Dreamers and Doers

BRKFST innovates and improvises in ways most would never expect. In 2022 the company joined the University of Minnesota for an experimental workshop for dancers and musicians. The subsequent creation, CYPHER CLASSIC, is a fun synthesis of two art forms putting their heads together. The company performed in the award-winning, DACA-inspired short film Dreamers by director Maria Juranic. MinnPost says, “BRKFST is thrilling to watch, strong and athletic and surprising. The way they fuse breakdancing with contemporary dance makes you see both differently.”

 

Acknowledments

Minnesota State Arts Board logo
New England Foundation for the Arts logo
National Performance Network logo
Metro Regional Arts Council logo

This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.

STORMCLUTTER is originally commissioned by The Cowles Center, Northrop, Princeton University’s Lewis Center for the Arts’ Caroline Hearst Choreographer-In-Residence Program and is a National Performance Network (NPN) Creation and Development Fund Project co-commissioned by John Michael Kohler Arts Center, National Center for Choreography at The University of Akron, Bates Dance Festival and NPN. The Creation and Development Fund is supported by The Doris Duke Foundation, the Mellon Foundation, and the National Endowment for the Arts (a federal agency). BRKFST Dance Company is the recipient of a creative residency at The National Center for Choreography-Akron. The development of STORMCLUTTER was made possible in part by The National Center for Choreography-Akron.

The creation and premiere of Dancers, Dreamers, and Presidents was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Mellon Foundation and was also commissioned by the Hartford Symphony Orchestra of Hartford, CT and the Minnesota Orchestra of Minneapolis, MN. 

Northrop and BRKFST wish to thank the Walker Art Center for providing its McGuire Theater and staff management support at a time of pressing need due to the unexpected closure of Cowles Center for the Arts.