In July 2003, Australian Stanton Welch assumed artistic leadership of Houston Ballet, America’s fifth largest classical ballet company. At 36, he is one of the most sought after choreographers of his generation, having created works for such companies as the Royal Danish Ballet, Birmingham Royal Ballet, The Australian Ballet (where he became resident choreographer in 1995), American Ballet Theatre, San Francisco Ballet, and Houston Ballet. Welch, whose parents Marilyn Jones and Garth Welch were stars The Australian Ballet in the early ‘70s, “is spring-loaded with ideas” and high goals for Houston Ballet. In its first Northrop engagement since 1998, the company radiates the distinctively inventive flair that Welch is inspiring. With Texas crowds cheering that “the company looks phenomenal,” Houston Ballet is widening its touring horizons.
About the Company
Founded in 1969, Houston Ballet has evolved into one of the leading repertoire companies in North America. By all accounts the transition of artistic directors from the quite popular Ben Stevenson to Welch’s bold, fresh vision has spiked excitement. The company’s 52-member roster has welcomed new talent and some continuing dancers have suddenly become more prominent. Welch’s strategy is evidenced through early commissions of three ballets by female choreographers plus world premieres by other choreographers including himself.Divergence, which Welch created for The Australian Ballet in 1994 and is on the Northrop program, combines classical beauty with industrial strength costumes. Tutus made with air conditioning filter mesh on dancers with sculptured hairdos convey an underlying attitude that “despite what you wear classical ballet is still classical ballet.”
Critic's Comments
“One of the first things that hits you about this company is the technical strengths not just of its principals, but throughout the ranks.”
– Dance Europe
“Wow. Am I just giddy with love at first sight, or is Divergence the coolest thing Houston Ballet has ever done? If this is 21st century ballet, bring it on.”
– Houston Chronicle
Evening's Program
Divergence – Choreography by Stanton Welch; Music by Georges Bizet “L’Arlesienne” Suites 1 & 2”
Nosotros – Choreography by Stanton Welch; Music by Serge Rachmaninoff “Rhapsody on a Theme of Paganini”
Rooster – Choreography by Christopher Bruce; Music by the Rolling Stones, eight classic tracks
Performances at Northrop
1982, 1998 & 2005