Duration: Approximately 70 minutes
Sarah Davachi
Artist Bio
Sarah Davachi is a Canadian-born composer and performer whose work is concerned with the close intricacies of timbral and temporal space. Davachi utilizes extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, tuning, and intonation. Her compositions span solo, chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation. Similarly informed by minimalist and longform tenets, early music concepts of form, affect, and intervallic modal harmony, as well as experimental production practices of the studio environment, in her sound is an intimate and patient experience that merges perceptions of the familiar and the distant.
In addition to her acclaimed recorded output, Davachi has toured extensively alongside artists such as Ellen Arkbro, Oren Ambarchi, Grouper, William Basinski, Catherine Lamb, Aaron Dilloway, Robert Aiki Aubrey Lowe, Michael Pisaro, Loren Connors, Tashi Wada, David Rosenboom, Charlemagne Palestine, Arnold Dreyblatt, and filmmaker Dicky Bahto. Commissioned projects include large-scale works for Quatuor Bozzini, London Contemporary Orchestra, Yarn/Wire, Apartment House, Wild Up, BBC Scottish Symphony Orchestra, Radio France, Contemporaneous Ensemble, Cello Octet Amsterdam, Bonner Kunstverein, Canadian International Organ Competition, and Western Front New Music. Her work has been presented internationally by Southbank Centre (London), Barbican Centre (London), Kontraklang (Berlin), INA GRM (Paris), Issue Project Room (New York), Lampo (Chicago), Elbphilharmonie (Hamburg), Organ Reframed (London), The Museum of Modern Art (New York), The Getty (Los Angeles), Orgelpark (Amsterdam), The Museum of Jurassic Technology (Los Angeles), Tokyo Festival of Modular (Tokyo), Honen-in Temple (Kyoto), Open Frame (Sydney), Église Saint-Eustache (Paris), Église du Gesù (Montréal), Temppeliaukio Church (Helsinki), Grace Cathedral (San Francisco), Rockefeller Memorial Chapel (Chicago), Church of the Heavenly Rest (New York), Basilica di Santa Maria dei Servi (Bologna, Italy), Lapidárium Národního Muzea (Prague), and Museo Reina Sofia (Madrid), among others. In 2020 she founded Late Music, an imprint within the partner labels division of Warp Records.
Between 2007 and 2017, Davachi had the unique opportunity to work for the National Music Centre in Canada as an interpreter and content developer of their collection of acoustic and electronic keyboard instruments. She has held artist residencies with The Banff Centre for the Arts, Quatuor Bozzini's Composer's Kitchen, STEIM, Elektronmusikstudion, OBORO Montréal, the Melbourne Electronic Sound Studio, the National Music Centre, and the Swiss Museum & Center for Electronic Music Instruments, and holds a master's degree in electronic music and recording media from Mills College in Oakland, California. Davachi is currently a doctoral candidate in musicology at UCLA, focusing on timbre, phenomenology, and critical organology. Davachi is based in Los Angeles.
About Liquid Music
Liquid Music is a leading producer of special projects in contemporary music, an internationally recognized laboratory for artists from across genre and disciplinary spectrums. This creative institution nurtures and realizes bold ideas from performers and composers, inspiring audiences to discover, learn and be transformed.
Founded at The Saint Paul Chamber Orchestra in 2012, Liquid Music became independent in 2020, owned and operated by artistic director Kate Nordstrum who has been widely praised for her programmatic vision, panoramic tastes and “storied matchmaking” (Minneapolis Star Tribune). Through Liquid Music, Nordstrum has built a boundary-defying platform for collaboration and earned her reputation as “the most adventurous music curator in town” (MinnPost), “a presenter of rare initiative” (Star Tribune), and “Twin Cities’ curatorial powerhouse with international pull” (Minnesota Public Radio).
